That's not to take away from what the band accomplished here, a 56 minute rager of a record which played to me like a natural successor to their classic Dusk and Her Embrace, albeit with a better integration of the symphonic and haunted castle components and a broader selection of riffs which built upon everything the group had really accomplished in the years between. I don't think it's hard to tell why, as this was arguably the heaviest and most focused recording they'd released in many years, and even though I might not harbor the same level of reverence as others, I've grown to appreciate more than the albums that lead up to it, Darkly, Darkly Venus Aversa and The Manticore and Other Horrors, both of which I do enjoy and might even hold up as a little more creative than this successor. A lot of folks that had written off the band forever seemed to be back on the wagon, and it even garnered a measure of respect from some of the band's longtime detractors. Although I personally felt that Cradle of Filth regained its footing on the 2008 album Godspeed and the Devil's Thunder, after a string of pretty average releases (after Midian), I think the consensus is clearly that Hammer of the Witches was their most impressive outing since the 90s.
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